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17TH + 18TH C
19TH CENTURY
19TH CENTURY
20TH CENTURY
20TH CENTURY
ART OF MUSIC
ART OF MUSIC
BAND
BIG BAND JAZZ ENSEMBLE
BIG BAND JAZZ ENSEMBLE
BIG BAND JAZZ ENSEMBLE
BRASS
BRASS
CHOIR
CHOIR
CHOIR
CHOIR
CHOIR
CHOIR
CHOIR-1 TERM
CLASSIC GUITA
CLASSIC GUITA
COMMUNICATION
ENSEM- 1 TERM
FUNDAMENTALS
INTRO TO JAZZ THEORY AND ARRANGING
INTRO WESTERN MUSIC
JAZZ GUITAR
JAZZ PIANO
LE:MARCHING BAND
MARCHING BAND
MARCHING BAND
MARCHING BAND
MARCHING BAND
MARCHING BAND
MUS
MUS 005 1
MUS 105 1
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORGAN
ORGAN
ORGAN
PERCUSSION
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO CLASS
PROBLEMS
SHORT COURSE IN THEORY
VOICE
VOICE
VOICE CLASS
WIND ENSEMBLE
WIND ENSEMBLE
WIND ENSEMBLE
WIND ENSEMBLE
WIND ENSEMBLE
WOMEN'S CHORUS
WOMEN'S CHORUS
WOMEN'S CHORUS
WOMEN'S CHORUS
WOODWIND
19TH CENT MUSIC
ART
ART OF MUSIC
BEG
BEG BRASS TECHNIQUES
BEG CELLO, BASS
BEG PERCUSSION
BEG PERCUSSION TECHNIQUES
BEG PIANO TECHNIQUES
BEG STRING TECHNIQUE
BEG TECHNOLOGY TECH
BEG VIOLIN, VIOLA
BEG VOICE TECHNIQUES
BEG WOODWIND TECHNIQUES
BEGINNING STRING TECHNIQUES
BIG BAND JAZZ ENSEMBLE
BRASS CLASS
CELLO, BASS CL
CHOIR
CHRO HARMONY
CONTEMP TECH
COUNTER POINT
DIATONIC HARMONY
ELECTRON COMP
FUNDAMENTALS
HISTORY OF MUSICAL THEATER
INST TECH II
JAZZ ARTISTS & EPOCH
JAZZ ARTISTS AND EPOCHS
LE:MANAGEMENT OF CAREERS
LE:PROD+MGMT SOUND RECORD
MARCHING BAND
MARCHING BAND
MODAL COUNTERPOINT
MU
MU:INTRO ELECTRONIC MUSIC
MUS 113 1
MUS 119 1
MUS 150 1
MUSIC & POLITICS
MUSIC & THE SOCIAL CONSCIENCE
MUSIC BEFORE 1600
MUSIC FUNDAMENTALS
MUSIC HIST TO 1600
MUSIC IN USA
MUSIC OF WESTERN WORLD
MUSICIANSHIP
MUSICIANSHIP I
MUSICIANSHIP II
MUSICIANSHIP II
MUSICS OF THE WORLD
NON-WESTERN MUSIC
ORCHESTRA
ORCHESTRA
PERCUSSION CL
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PIANO CLASS
PIANO CLASS
ST
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ST:INTRO TO JAZZ RECORDING & TECH
TRADITIONAL
VIOLIN, VIOLA
VOICE CLASS
WIND ENSEMBLE
WOMEN AND MUSIC
WOODWIND CLASS
17TH & 18TH CENTURY
19TH CENTURY
BUSINESS MAKING MUS
CE: MUS STYLES: MEN, WOMEN
CE:BEETHOVEN
CH
CHROMATIC HARMONY
CONDUCTING
COUNTER POINT
DIATONIC HARMONY
HYMN PLAYING
INSTRUCTIONAL DESIGN
INTERNSHIP
INTRO CONDUCTING
INTRO TO AUDIO RECORDING
INTRO TO AUDIO RECRODING
INTRO TO COND
INTRODUCTION TO MUSIC THERAPY
IS:
IS:
JAZZ HISTORY
LANG WIRKSHOP
LE:RECORDING TECHNIQ II
LE:RECORDING TECH I
LIVE & STUDIO RECORDING
LIVE & STUDIO RECORDING
MEDIEVAL & RENAISSANCE MUSIC
MODAL COUNTERPOINT
MU2461
MUSIC OF THE BAROQUE PERIOD
MUSICIANSHIP
MUSICIANSHIP III
MUSICIANSHIP IV
ORCHESTRAT I
ORCHESTRATION
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PIANO TECHNIQUES II
PRACTICUM
PRACTICUM
PRACTICUM
PRACTICUM
PRACTICUM: COMPOSITION I
PRACTICUM: COMPOSITION I
PRACTICUM: CONCERTO/ORCH LIT I
PRACTICUM: CONCERTO/ORCH LIT I
PRACTICUM: DICTION I
PRACTICUM: JAZZ EAR-TRAINING
PRACTICUM: JAZZ EAR-TRAINING I
PRACTICUM: JAZZ IMPROVISATION I
PRACTICUM: JAZZ IMPROVISATION I
PRACTICUM: LITERATURE I
PRACTICUM: LITERATURE I
PRACTICUM: MISCELLANEOUS
PRACTICUM: MISCELLANEOUS
PRACTICUM: MISCELLANEOUS JAZZ I
PRACTICUM: PEDAGOGY I
PRACTICUM: PEDAGOGY I
PRACTICUM:20TH C PERF TECH
PRACTICUM:DICTION I
PRACTICUM:MISCELLENEOUS JAZZ I
PRACTICUM;20TH C PERF TECH
RECORDING TECHNOLOGY
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TEACH MUS SEC
TEACH MUS TO ADOLESC
TEACH MUSIC E
TRADITIONAL PRACT
WESTERN MUSIC TO 1750
WI:CLASSICAL & ROMANTIC MUSIC
20 CENTURY TO 1945
ADV TECHNOLOGY FOR COMPOSERS
ADV TECHNOLOGY FOR COMPOSERS
ADVANCED PRACTICA
CHORAL COND
CHROMATIC HARMONY
CONDUCTING
CONT MUSIC SINCE 1945
CONTEMPORARY TECH
DS:MUSIC OF MODERN ERA
ENSEMBLE RECORDING 1
FORM
IMPROVISATION
IMPROVISATION
IMPROVISATION
IMPROVISATION
IMPROVISATION II
INSTR CONDUCT
INTERNSHIP
INTERNSHIP
INTERNSHIP
INTROD TO CONDUCTING
IS
IS
IS
IS:
IS:
IS:
IS:
JAZZ METHODS FOR EDUCATORS
MU:COMPOSITION WORKSHOP II
MUS 354
MUS 373 2
MUS EDUCATION SEMINAR
MUSIC EDUC SEMINAR
MUSICIANSHIP
MUSICIANSHIP V
MUSICIANSHIP VI
ORCHESTRATION
ORCHESTRATION II
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PRACT: CONCERTO/ORCH LIT II
PRACT:JAZZ IMPROV I & II
PRACT:JAZZ IMPROV I & II
PRACT:LITERATURE I, II & III
PRACTICUM: CONCERTO/ORCH LITERATUR
PRACTICUM: COMPOSITION II
PRACTICUM: DICTION II
PRACTICUM: LITERATURE II
PRACTICUM: MISCELLANEOUS JAZZ II
PRACTICUM: PEDAGOGY II
PRACTICUM:20TH C PERF TECH
PRACTICUM:20TH C PERF TECH
PRACTICUM:COMPOSITION
PRACTICUM:DICTION
PRACTICUM:JAZZ-EAR TRAINING
PRACTICUM:JAZZ-EAR TRAINING II
PRACTICUM:MISC JAZZ PRACT
PRACTICUM:MISC JAZZ PRACT
PRACTICUM:MISCELLANEOUS
PRACTICUM:MISCELLANEOUS
PRACTICUM:MISCELLANEOUS
PRACTICUM:PEDAGOGY
PROJECT
PROJECT
PROJECT
RECITAL
RECITAL
RECITAL
RECITAL
RECITAL
RECITAL
RECITAL
RECITAL
SECONDARY CLASSROOM CHORAL/PED
SEMINAR
TCHG ADOLSCNTS
TCHG CHILDREN
TCHG MUS ADOL LAB
TEACH MUSIC TO CHILD
250 YEARS & COUNTING
ACTIVE AIDS CONCERT
ADV GUITAR CLASS
AMER POPULAR MUSIC
AMERICAN MUSIC
APP CHORAL MUSIC
APPL MUSIC IN MARCHING BAND
APPL MUSIC IN SYMPHONIC BAND
APPLIED FLUTE
APPLIED MUS I
APPLIED MUS II
APPLIED MUS III
APPLIED MUS IV
APPLIED ORGAN
APPLIED ORGAN
APPLIED PIANO
APPLIED PIANO
APPLIED VOICE
APPRECIATION
ART OF JAZZ
ART OF LISTENING
ARTS MGMT
AURAL ACTIV 1
BARBADOS
BEGIN.AFRO/LATIN RHY
BIG BAND JAZZ
CARIBBEAN TOUR
CD-R0M MUSIC TUTOR
CHOIR TOUR-EN
CHORAL
COPY + EDITIN
DIGITAL MUS RECORD
ELEMENTARY
ENGLAND
EPISC HYMNAL 20TH C
EPISC HYMNAL/20TH C
EXPRESSION
FIELD PROJECT
FP
FP
FP
FP:
FP:
FS
HIST OF AMER MUS
HONORS
HONORS
HONORS PROJECT
HONORS PROJECT
IMPRESSIONISM
INTERMEDIATE
INTERNSHIP
INTERNSHIP
INTRODUCTION
J. S. BACH
LIFE SPAN DEV
LISTENING
MAKING A VIDEO
MU:INTRO TO MUSIC
MUS 782
MUS 792
MUS 814
MUS 924
MUS+PHILOSOPHY
MUSIC & THE MOVIES
MUSIC APPRECIATION
PIANO INDIV
PIANO PEDAGOG
RESEARCH PROJECT
RESTRUCT+SCHL REFORM
RP
RP
RP
RP:
RP:
RP:ADV ORCHES
RP:MAHLER ORC
SOUND, STEREO EQUIP
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THE ART OF MUSIC
THE NEW AGE
VOICE
WORLD OF OPER
WORLD OF OPERA
AURAL HARMONY
AURAL SINGING III
AURAL SKILLS I
AURAL SKILLS II
AURAL SKILLS III
AURAL SKILLS IV
AURAL THEORY I
AURAL THEORY II
AURAL THEORY II
AURAL THEORY III
AURAL THEORY IV
BAND
BAROQ & CLASS MUS
BAS MUS III
BAS MUSIC I
BAS MUSIC II
BAS MUSIC III
BASIC CONDUCTING
BASIC MUSIC THEORY
BASS
BASSOON
BEG BRASS TECH
BELOIT COLLEGE CHOIR
BRASS CLASS
BRIT/AMER VOCAL LIT
BUSINESS OF MUSIC I
CALIGRAPHY 2
CALIGRAPHY 2
CAMPUS CHOIR
CANTUS SINGERS
CEDAR CREST SINGERS
CELLO
CHAMBER CHOIR 2
CHAMBER MUS PERFORM
CHAMBER MUSIC 3
CHAMBER MUSIC IV
CHAMBER SINGERS
CHOIR
CHOIR OF WEST
CHORAL CONDUCTING
CHORAL UNION
CHORALE
CHORUS
CHORUS
CHORUS
CHORUS
CHORUS II
CHORUS IV
CHRISTIAN WORSHIP
CHROM AURAL I
CHROM AURAL II
CHROM AURAL PERC
CHROM AURAL PERC II
CHROMATIC HARM II
CHROMATIC HARMONY 1
CHURCH MUSIC
CHURCH MUSIC II
CL PIANO MINORS
CLARINET
CLASS & ROM MUS
CLASS & ROMANTIC
CLASS PIANO I
CLASS VOICE
COLLEGE CHOIR I
COLLEGE CHOIR II
COLLEGE CHORUS
COLOR THEORY I
COMMERCAL ENSEMBLE I
COMPARATIVE CONCEPTS
COMPOSITION CLASS
COMPOSITION I
COMPOSITION MAJOR
CONCERNS CONT MUSIC
CONCERT BAND
CONCERT BAND II
CONCERT CHOIR
CONCERT CHOIR II
CONDUCTING
CONDUCTING
CONDUCTING-INMD
CONTEMP MUSIC
CRCH MUSIC
DALCROZE I
DEV JAZZ
DIAT AURAL PERCEP I
DIAT AURAL PERCEP II
DIAT AURAL PERCEPTN
DIAT AURL PERC
DIATONIC AUR 2
DIATONIC AUR I
DICTION
DIG TECH/MUS INDUS
EAR TRAIN I
EARLY CHILD MUS
HARM & COUNTERPOINT
JOHANN SEBASTIAN BACH
MUSIC FOR IND DEVEL
MUSIC+CULT
VOICE CLASS 1
WOODWIND STUDY
CHRISTIAN HYMNODY
DIATONIC HARMONY I
DIATONIC HARMONY II
EAR TRAIN II
EAR TRAIN III
EARLY MUSIC ENSEMBLE
ELEC MUSIC
ELEC MUSIC SYN I
ELEC MUSIC SYN II
ELEM BAND
ENG DICTION
ENJOYMENT OF MUSIC
ENS PERF CHOIR
ENS PERF CHOIR
ENS PERF CHOIR
ENS SM CHORAL
ENSEMBLE
EURHYTH I
EURYTHMICS
EVOLUTION JAZZ
EXPER MUSIC/INTRO
EXPERIENCING MUSIC
FINE ARTS MUS
FIRST YR THEORY I
FIRST YR THEORY II
FIRST YR VOCAL II
FLUTE
FOLK/POP MUSIC
FOR POL INTERNSHIP
FOR POL RESEARCH PRO
FOR POL SEMINAR I
FOR POL SEMINAR II
FORM & ANALYSIS
FROM ELVIS TO MADONNA
FUND OF CONDUCTING
FUND OF MUSIC
FUND OF MUSIC I
FUSION BAND
GERM DICTION
GLEE CLUB
GUITAR I
HARMONIC FOUND I
HARMONY
HARMONY II
HARMONY III
HIST & REPETOIRE MUS
HIST AND LITERATURE
HIST OF 20TH CENTURY
HIST PIANO LIT
HIST WESTERN MUSIC I
HISTORY OF JAZZ
HONORS THEORY
HYMNOLOGY
IND APPL MUS III-TRUMBONE
IND STUDY MUSIC
INDIVID ENSEMBLES
INDIVID ENSEMBLES II
INST MUSIC I
INST MUSIC II
INST MUSIC III
INSTR MAJOR
INSTRU COND
INSTRUMENTAL ENSEM
INSTRUMENTAL LIT
INSTRUMENTAL MAJOR
INSTRUMENTAL MAJOR
INT MUS THEOR & LIT
INTER GUITAR CLASS
INTER PHONETIC ALPHA
INTR ELECTRONIC
INTRO JAZZ
INTRO MUS & MUS LIT
INTRO MUSIC EDUC II
INTRO PHONETIC ALPHA
INTRO THEORY
INTRO TO ART MUSIC
INTRODUCTION MUSIC
INVOLVEMENT W/MUSIC
IRISH TRADITIONAL MUS I
JAZZ ENSEMBLE
JAZZ ENSEMBLE II
JAZZ ENSEMBLE III
JAZZ IMPROV
JAZZ IMPROV 1
JAZZ IN AMERICA
JAZZ LAB BAND
KEYBOARD HARMONY
MU:FAREAST,INDIA,PAC
MUS ED ELEM SCHOOL
MUS ED ORIENTATION
MUS ED ORIENTATION
MUS HISTORY II
MUSIC ED METH I
MUSIC HIS SINCE 1600
MUSIC HIST I
MUSIC HIST LIT 1750
MUSIC HIST/LIT I
MUSIC HIST/LIT II
MUSIC INDUSTRY I
TWO PIANO ENS
19TH CENTURY MUSIC
20TH CENT MUSIC
APP MUS PRIMARY I
APP MUS PRIMARY III
APP MUSIC PRIMARY II
APP MUSIC PRIMARY IV
APPL MUSIC VOICE 2
APPL MUSIC VOICE 3
APPL MUSIC VOICE I
APPL MUSIC VOICE IV
APPLIED MUS SEC-PIANO IV
BEG PERCUSS TECH
HISTORY OF OPERA
HISTORY OF OPERA
IND INSTRUCT (ORGAN)
INTRO MUSIC LIT
INTRO NON-WEST MUSIC
JAZZ
JAZZ HERITAGE
JAZZ THEORY
JAZZ THEORY II
KEYBOARD I & II
KEYBROAD INSTR
LAB CHORUS
LANGUAGE OF MUSIC
LEARN THEORY
LIST+APPREC
LIT & MATERIALS I
LIT & MATERIALS II
MAN IN WORLD MUSIC
MARCHING BAND
MEDIEVAL/REN/BAROQUE
METHODS - BRASS
MIXED CHORUS
MIXED ENSEMBLE
MOD MUSICAL TRENDS
MOZART
MUS LI 3
MUS IN MOD SOC TIME
MUS IN NON-WEST CULT
MUS LIFE/DEATH
MUS LIST I
MUS OUR TIME
MUS PREPARATION
MUS SKILLS CLASS TCH
MUS THEORY & LIT
MUSIC
MUSIC & MOVEMENT
MUSIC AFTER MOZART
MUSIC APPRECIATION
MUSIC FOR CHILDREN
MUSIC IN HISTORY
MUSIC LIST II
MUSIC LIT & APP
MUSIC MASTERP
MUSIC MASTERS
MUSIC METH K-6
MUSICIANSHIP I
MUSICIANSHIP II
MUSICIANSHIP III
MUSICIANSHIP IV
NY JAZZ EXPERIENCE
OPERA WORKSHOP
OPERA WORKSHOP II
ORCHESTRA
ORGAN
ORGAN LESS 1,2,3,4,5
ORGAN LESSON
ORIENT MUSIC THEORY
OVERTONES
PERCUSSION CLASS
PERF ARTS MGT
PERFORMANCE
PIANO
PIANO
PIANO CLASS
PIANO CLASS II
PIANO CLASS III
PIANO ENSEMBLE
PIANO FOR MUSIC ED
PIANO I
PIANO LESS 1,2,3,4,5
PIANO MAJOR 1
PIANO MAJOR 2
PIANO MAJOR 3
PIANO MAJOR 4
PIANO MINOR
PIANO MINOR 1,2,3,4
PIANO MINOR II
PIANO MINOR III
PIANO MINOR IV
PIANO NON-MUS MAJORS
PIANO PEDAGOGY
POPULAR MUS/AMERICA
PRE-CHURCH MUSIC
PRIMARY VIOLIN
PRIMARY VIOLIN
RICK KERBER TRIBUTE
VOICE MINOR
WRITTEN THEORY I
3RD YR INSTRUMNT II
BACH BEETHOVEN
CHAMBER SINGERS
FUND MUSIC THEORY
FUND OF MUS ELM TCHR
INTRO MUSIC THERAPY
KEYBOARD SKILLS I
KEYBOARD SKILLS II
KEYBOARD SKILLS III
KEYBOARD SKILLS IV
MU STYLES & TRADTNS
MU STYLES II
MUS STYLES & LIT I
MUS STYLES & LIT II
MUS SYNTHESIS/COMP
MUS+PHILOSOPHY
MUSIC ON STAGE
MUSIC STYLE & LIT
MUSIC STYLES I
MUSIC STYLES I
MUSIC THEORY
MUSIC THEORY I
MUSIC THEORY II
MUSIC THEORY III LAB
MUSIC THEORY LAB
MUSIC THEORY VI
MUSIC THERAPY
MUSICAL THEATRE AUDITION
MUSICIANSHIP
MUSICIANSHIP 4
PIANO TECHNIQUES
POST ROM & 20TH CEN
PRIMARY VIOLIN
PRIMARY VIOLIN
PRIVATE PIANO
PRIVATE VOICE
PRIVATE VOICE
PROF APP INST 1
PROF APP INST 2
PROF APP INST2
PUBL SCHL MUS
RECORDER
RHYTHM, SINGING
ROMANTIC ERA
RUD OF MUS
SAXOPHONE I
SAXOPHONE II
SEC PIANO MU MJR III
SEC PIANO MUS MAJOR
SEC PIANO MUS MAJOR
SEC PIANO MUS MJR I
SEC PIANO MUS MJR II
SECOND YR THEORY I
SECOND YR THEORY II
SECOND YR VOCAL II
SECONDARY PIANO
SECONDARY VIOLIN
SECONDARY VOICE
SECONDARY VOICE
SECONDARY VOICE
SHENANDOAH CHORUS
SHORT COURSE IN THEORY
SIGHT SINGING
SIGHTSINGING III
SIGHTSINGING IV
SINGERS I
SINGERS II
SKILLS
SKILLS
SMALL INSTR ENSEMBLE
SOLFEGE
SOLFEGE II
SOLO PERFORMANCE I
SPEC METH IN MUSIC
SPEC PROJ MUSIC
SS EAR TRAINING
STRING CLASS
STRING CLASS 2
STRINGS I
SURVEY MUSIC
SURVEY MUSIC LIT
SWING SINGERS 1
SWING SINGERS 2
SYMPHONIC BAND
TCHG GEN MUSIC
THE MUSIC SCENE
THE STUFF OF MUSIC
THEO CONSTR MUS I
THEO CONSTRS MUS 2
THEO:HARMNCAN
THEOR CONSTRCTS
THEORY I
THEORY I/MUSICIAN I
THEORY II
THEORY III
THEORY SKILLS I
THEORY SKILLS II
THEORY/MUSICIAN III
THRY II/MUSICIAN II
WIND SYMPHONY
COMPOSITION WORKSHOP
FUND VOCAL TECH
INTRO WEST MUSIC
MUS Y002
MUSIC IN TIME
MUSIC THEORY 3 & LAB
MUSIC THEORY II
MUSIC THEORY III
MUSIC THEORY IV
TRADITNL PRACTICE
TRANSCENDENTAL CINEMA
TROMBONE
TRUMPET
UNDERSTAND MUSIC
UNIV CHORALE
UNIV SINGERS
UNIVERSITY BAND
UNIVERSITY CHOIR
UPPER STRINGS
VIOLIN
VIOLIN CLASS 1
VIOLIN CLASS 2
VOCAL COACHING
VOCAL ENSEMBLE
VOICE
VOICE
VOICE 2
VOICE 3
VOICE CLASS
VOICE CONCENTRATION
VOICE FOR MUSIC ED
VOICE LESSON 1,2,3
VOICE MAJOR
VOICE MAJOR 1
VOICE MAJOR 1,2,3,4
VOICE MAJOR II
VOICE MAJOR III
VOICE MAJOR IV
VOICE MINOR
VOICE MINOR 1
VOICE MINOR 2
VOICE MINOR III
VOICE MINOR IV
WEST ART MUSIC
WESTERN WORLD
WIND ENSEMBLE
WOMEN'S CHAIR
WOMEN'S CHORALE
WOMEN'S CHORUS 2
WOODWIND CLASS II
WOODWIND ENSEMBLE
WOODWIND STUDY
WOODWINDS CLASS
WORLD MUSIC
WRITTEN THEORY I
WRITTEN THEORY II
WRITTEN THEORY III
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Courses in this Department
17TH & 18TH CENTURY
17TH + 18TH C
19TH CENT MUSIC
19TH CENTURY
19TH CENTURY
19TH CENTURY
19TH CENTURY MUSIC
20 CENTURY TO 1945
20TH CENT MUSIC
20TH CENTURY
20TH CENTURY
250 YEARS & COUNTING
3RD YR INSTRUMNT II
ACTIVE AIDS CONCERT
ADV GUITAR CLASS
ADV TECHNOLOGY FOR COMPOSERS
ADV TECHNOLOGY FOR COMPOSERS
ADVANCED PRACTICA
AMER POPULAR MUSIC
AMERICAN MUSIC
APP CHORAL MUSIC
APP MUS PRIMARY I
APP MUS PRIMARY III
APP MUSIC PRIMARY II
APP MUSIC PRIMARY IV
APPL MUSIC IN MARCHING BAND
APPL MUSIC IN SYMPHONIC BAND
APPL MUSIC VOICE 2
APPL MUSIC VOICE 3
APPL MUSIC VOICE I
APPL MUSIC VOICE IV
APPLIED FLUTE
APPLIED MUS I
APPLIED MUS II
APPLIED MUS III
APPLIED MUS IV
APPLIED MUS SEC-PIANO IV
APPLIED ORGAN
APPLIED ORGAN
APPLIED PIANO
APPLIED PIANO
APPLIED VOICE
APPRECIATION
ART
ART OF JAZZ
ART OF LISTENING
ART OF MUSIC
ART OF MUSIC
ART OF MUSIC
ARTS MGMT
AURAL ACTIV 1
AURAL HARMONY
AURAL SINGING III
AURAL SKILLS I
AURAL SKILLS II
AURAL SKILLS III
AURAL SKILLS IV
AURAL THEORY I
AURAL THEORY II
AURAL THEORY II
AURAL THEORY III
AURAL THEORY IV
BACH BEETHOVEN
BAND
BAND
BARBADOS
BAROQ & CLASS MUS
BAS MUS III
BAS MUSIC I
BAS MUSIC II
BAS MUSIC III
BASIC CONDUCTING
BASIC MUSIC THEORY
BASS
BASSOON
BEG
BEG BRASS TECH
BEG BRASS TECHNIQUES
BEG CELLO, BASS
BEG PERCUSS TECH
BEG PERCUSSION
BEG PERCUSSION TECHNIQUES
BEG PIANO TECHNIQUES
BEG STRING TECHNIQUE
BEG TECHNOLOGY TECH
BEG VIOLIN, VIOLA
BEG VOICE TECHNIQUES
BEG WOODWIND TECHNIQUES
BEGIN.AFRO/LATIN RHY
BEGINNING STRING TECHNIQUES
BELOIT COLLEGE CHOIR
BIG BAND JAZZ
BIG BAND JAZZ ENSEMBLE
BIG BAND JAZZ ENSEMBLE
BIG BAND JAZZ ENSEMBLE
BIG BAND JAZZ ENSEMBLE
BRASS
BRASS
BRASS CLASS
BRASS CLASS
BRIT/AMER VOCAL LIT
BUSINESS MAKING MUS
BUSINESS OF MUSIC I
CALIGRAPHY 2
CALIGRAPHY 2
CAMPUS CHOIR
CANTUS SINGERS
CARIBBEAN TOUR
CD-R0M MUSIC TUTOR
CE: MUS STYLES: MEN, WOMEN
CE:BEETHOVEN
CEDAR CREST SINGERS
CELLO
CELLO, BASS CL
CH
CHAMBER CHOIR 2
CHAMBER MUS PERFORM
CHAMBER MUSIC 3
CHAMBER MUSIC IV
CHAMBER SINGERS
CHAMBER SINGERS
CHOIR
CHOIR
CHOIR
CHOIR
CHOIR
CHOIR
CHOIR
CHOIR
CHOIR OF WEST
CHOIR TOUR-EN
CHOIR-1 TERM
CHORAL
CHORAL COND
CHORAL CONDUCTING
CHORAL UNION
CHORALE
CHORUS
CHORUS
CHORUS
CHORUS
CHORUS II
CHORUS IV
CHRISTIAN HYMNODY
CHRISTIAN WORSHIP
CHRO HARMONY
CHROM AURAL I
CHROM AURAL II
CHROM AURAL PERC
CHROM AURAL PERC II
CHROMATIC HARM II
CHROMATIC HARMONY
CHROMATIC HARMONY
CHROMATIC HARMONY 1
CHURCH MUSIC
CHURCH MUSIC II
CL PIANO MINORS
CLARINET
CLASS & ROM MUS
CLASS & ROMANTIC
CLASS PIANO I
CLASS VOICE
CLASSIC GUITA
CLASSIC GUITA
COLLEGE CHOIR I
COLLEGE CHOIR II
COLLEGE CHORUS
COLOR THEORY I
COMMERCAL ENSEMBLE I
COMMUNICATION
COMPARATIVE CONCEPTS
COMPOSITION CLASS
COMPOSITION I
COMPOSITION MAJOR
COMPOSITION WORKSHOP
CONCERNS CONT MUSIC
CONCERT BAND
CONCERT BAND II
CONCERT CHOIR
CONCERT CHOIR II
CONDUCTING
CONDUCTING
CONDUCTING
CONDUCTING
CONDUCTING-INMD
CONT MUSIC SINCE 1945
CONTEMP MUSIC
CONTEMP TECH
CONTEMPORARY TECH
COPY + EDITIN
COUNTER POINT
COUNTER POINT
CRCH MUSIC
DALCROZE I
DEV JAZZ
DIAT AURAL PERCEP I
DIAT AURAL PERCEP II
DIAT AURAL PERCEPTN
DIAT AURL PERC
DIATONIC AUR 2
DIATONIC AUR I
DIATONIC HARMONY
DIATONIC HARMONY
DIATONIC HARMONY I
DIATONIC HARMONY II
DICTION
DIG TECH/MUS INDUS
DIGITAL MUS RECORD
DS:MUSIC OF MODERN ERA
EAR TRAIN I
EAR TRAIN II
EAR TRAIN III
EARLY CHILD MUS
EARLY MUSIC ENSEMBLE
ELEC MUSIC
ELEC MUSIC SYN I
ELEC MUSIC SYN II
ELECTRON COMP
ELEM BAND
ELEMENTARY
ENG DICTION
ENGLAND
ENJOYMENT OF MUSIC
ENS PERF CHOIR
ENS PERF CHOIR
ENS PERF CHOIR
ENS SM CHORAL
ENSEM- 1 TERM
ENSEMBLE
ENSEMBLE RECORDING 1
EPISC HYMNAL 20TH C
EPISC HYMNAL/20TH C
EURHYTH I
EURYTHMICS
EVOLUTION JAZZ
EXPER MUSIC/INTRO
EXPERIENCING MUSIC
EXPRESSION
FIELD PROJECT
FINE ARTS MUS
FIRST YR THEORY I
FIRST YR THEORY II
FIRST YR VOCAL II
FLUTE
FOLK/POP MUSIC
FOR POL INTERNSHIP
FOR POL RESEARCH PRO
FOR POL SEMINAR I
FOR POL SEMINAR II
FORM
FORM & ANALYSIS
FP
FP
FP
FP:
FP:
FROM ELVIS TO MADONNA
FS
FUND MUSIC THEORY
FUND OF CONDUCTING
FUND OF MUS ELM TCHR
FUND OF MUSIC
FUND OF MUSIC I
FUND VOCAL TECH
FUNDAMENTALS
FUNDAMENTALS
FUSION BAND
GERM DICTION
GLEE CLUB
GUITAR I
HARM & COUNTERPOINT
HARMONIC FOUND I
HARMONY
HARMONY II
HARMONY III
HIST & REPETOIRE MUS
HIST AND LITERATURE
HIST OF 20TH CENTURY
HIST OF AMER MUS
HIST PIANO LIT
HIST WESTERN MUSIC I
HISTORY OF JAZZ
HISTORY OF MUSICAL THEATER
HISTORY OF OPERA
HISTORY OF OPERA
HONORS
HONORS
HONORS PROJECT
HONORS PROJECT
HONORS THEORY
HYMN PLAYING
HYMNOLOGY
IMPRESSIONISM
IMPROVISATION
IMPROVISATION
IMPROVISATION
IMPROVISATION
IMPROVISATION II
IND APPL MUS III-TRUMBONE
IND INSTRUCT (ORGAN)
IND STUDY MUSIC
INDIVID ENSEMBLES
INDIVID ENSEMBLES II
INST MUSIC I
INST MUSIC II
INST MUSIC III
INST TECH II
INSTR CONDUCT
INSTR MAJOR
INSTRU COND
INSTRUCTIONAL DESIGN
INSTRUMENTAL ENSEM
INSTRUMENTAL LIT
INSTRUMENTAL MAJOR
INSTRUMENTAL MAJOR
INT MUS THEOR & LIT
INTER GUITAR CLASS
INTER PHONETIC ALPHA
INTERMEDIATE
INTERNSHIP
INTERNSHIP
INTERNSHIP
INTERNSHIP
INTERNSHIP
INTERNSHIP
INTR ELECTRONIC
INTRO CONDUCTING
INTRO JAZZ
INTRO MUS & MUS LIT
INTRO MUSIC EDUC II
INTRO MUSIC LIT
INTRO MUSIC THERAPY
INTRO NON-WEST MUSIC
INTRO PHONETIC ALPHA
INTRO THEORY
INTRO TO ART MUSIC
INTRO TO AUDIO RECORDING
INTRO TO AUDIO RECRODING
INTRO TO COND
INTRO TO JAZZ THEORY AND ARRANGING
INTRO WEST MUSIC
INTRO WESTERN MUSIC
INTROD TO CONDUCTING
INTRODUCTION
INTRODUCTION MUSIC
INTRODUCTION TO MUSIC THERAPY
INVOLVEMENT W/MUSIC
IRISH TRADITIONAL MUS I
IS
IS
IS
IS:
IS:
IS:
IS:
IS:
IS:
J. S. BACH
JAZZ
JAZZ ARTISTS & EPOCH
JAZZ ARTISTS AND EPOCHS
JAZZ ENSEMBLE
JAZZ ENSEMBLE II
JAZZ ENSEMBLE III
JAZZ GUITAR
JAZZ HERITAGE
JAZZ HISTORY
JAZZ IMPROV
JAZZ IMPROV 1
JAZZ IN AMERICA
JAZZ LAB BAND
JAZZ METHODS FOR EDUCATORS
JAZZ PIANO
JAZZ THEORY
JAZZ THEORY II
JOHANN SEBASTIAN BACH
KEYBOARD HARMONY
KEYBOARD I & II
KEYBOARD SKILLS I
KEYBOARD SKILLS II
KEYBOARD SKILLS III
KEYBOARD SKILLS IV
KEYBROAD INSTR
LAB CHORUS
LANG WIRKSHOP
LANGUAGE OF MUSIC
LE:MANAGEMENT OF CAREERS
LE:MARCHING BAND
LE:PROD+MGMT SOUND RECORD
LE:RECORDING TECHNIQ II
LE:RECORDING TECH I
LEARN THEORY
LIFE SPAN DEV
LIST+APPREC
LISTENING
LIT & MATERIALS I
LIT & MATERIALS II
LIVE & STUDIO RECORDING
LIVE & STUDIO RECORDING
MAKING A VIDEO
MAN IN WORLD MUSIC
MARCHING BAND
MARCHING BAND
MARCHING BAND
MARCHING BAND
MARCHING BAND
MARCHING BAND
MARCHING BAND
MARCHING BAND
MEDIEVAL & RENAISSANCE MUSIC
MEDIEVAL/REN/BAROQUE
METHODS - BRASS
MIXED CHORUS
MIXED ENSEMBLE
MOD MUSICAL TRENDS
MODAL COUNTERPOINT
MODAL COUNTERPOINT
MOZART
MU
MU STYLES & TRADTNS
MU STYLES II
MU2461
MU:COMPOSITION WORKSHOP II
MU:FAREAST,INDIA,PAC
MU:INTRO ELECTRONIC MUSIC
MU:INTRO TO MUSIC
MUS
MUS 005 1
MUS 105 1
MUS 113 1
MUS 119 1
MUS 150 1
MUS 354
MUS 373 2
MUS 782
MUS 792
MUS 814
MUS 924
MUS LI 3
MUS Y002
MUS ED ELEM SCHOOL
MUS ED ORIENTATION
MUS ED ORIENTATION
MUS EDUCATION SEMINAR
MUS HISTORY II
MUS IN MOD SOC TIME
MUS IN NON-WEST CULT
MUS LIFE/DEATH
MUS LIST I
MUS OUR TIME
MUS PREPARATION
MUS SKILLS CLASS TCH
MUS STYLES & LIT I
MUS STYLES & LIT II
MUS SYNTHESIS/COMP
MUS THEORY & LIT
MUS+PHILOSOPHY
MUS+PHILOSOPHY
MUSIC
MUSIC & MOVEMENT
MUSIC & POLITICS
MUSIC & THE MOVIES
MUSIC & THE SOCIAL CONSCIENCE
MUSIC AFTER MOZART
MUSIC APPRECIATION
MUSIC APPRECIATION
MUSIC BEFORE 1600
MUSIC ED METH I
MUSIC EDUC SEMINAR
MUSIC FOR CHILDREN
MUSIC FOR IND DEVEL
MUSIC FUNDAMENTALS
MUSIC HIS SINCE 1600
MUSIC HIST I
MUSIC HIST LIT 1750
MUSIC HIST TO 1600
MUSIC HIST/LIT I
MUSIC HIST/LIT II
MUSIC IN HISTORY
MUSIC IN TIME
MUSIC IN USA
MUSIC INDUSTRY I
MUSIC LIST II
MUSIC LIT & APP
MUSIC MASTERP
MUSIC MASTERS
MUSIC METH K-6
MUSIC OF THE BAROQUE PERIOD
MUSIC OF WESTERN WORLD
MUSIC ON STAGE
MUSIC STYLE & LIT
MUSIC STYLES I
MUSIC STYLES I
MUSIC THEORY
MUSIC THEORY 3 & LAB
MUSIC THEORY I
MUSIC THEORY II
MUSIC THEORY II
MUSIC THEORY III
MUSIC THEORY III LAB
MUSIC THEORY IV
MUSIC THEORY LAB
MUSIC THEORY VI
MUSIC THERAPY
MUSIC+CULT
MUSICAL THEATRE AUDITION
MUSICIANSHIP
MUSICIANSHIP
MUSICIANSHIP
MUSICIANSHIP
MUSICIANSHIP 4
MUSICIANSHIP I
MUSICIANSHIP I
MUSICIANSHIP II
MUSICIANSHIP II
MUSICIANSHIP II
MUSICIANSHIP III
MUSICIANSHIP III
MUSICIANSHIP IV
MUSICIANSHIP IV
MUSICIANSHIP V
MUSICIANSHIP VI
MUSICS OF THE WORLD
NON-WESTERN MUSIC
NY JAZZ EXPERIENCE
OPERA WORKSHOP
OPERA WORKSHOP II
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORCHESTRA
ORCHESTRAT I
ORCHESTRATION
ORCHESTRATION
ORCHESTRATION II
ORGAN
ORGAN
ORGAN
ORGAN
ORGAN LESS 1,2,3,4,5
ORGAN LESSON
ORIENT MUSIC THEORY
OVERTONES
PERCUSSION
PERCUSSION CL
PERCUSSION CLASS
PERF ARTS MGT
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PERFORMANCE
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO
PIANO CLASS
PIANO CLASS
PIANO CLASS
PIANO CLASS
PIANO CLASS II
PIANO CLASS III
PIANO ENSEMBLE
PIANO FOR MUSIC ED
PIANO I
PIANO INDIV
PIANO LESS 1,2,3,4,5
PIANO MAJOR 1
PIANO MAJOR 2
PIANO MAJOR 3
PIANO MAJOR 4
PIANO MINOR
PIANO MINOR 1,2,3,4
PIANO MINOR II
PIANO MINOR III
PIANO MINOR IV
PIANO NON-MUS MAJORS
PIANO PEDAGOG
PIANO PEDAGOGY
PIANO TECHNIQUES
PIANO TECHNIQUES II
POPULAR MUS/AMERICA
POST ROM & 20TH CEN
PRACT: CONCERTO/ORCH LIT II
PRACT:JAZZ IMPROV I & II
PRACT:JAZZ IMPROV I & II
PRACT:LITERATURE I, II & III
PRACTICUM
PRACTICUM
PRACTICUM
PRACTICUM
PRACTICUM: CONCERTO/ORCH LITERATUR
PRACTICUM: COMPOSITION I
PRACTICUM: COMPOSITION I
PRACTICUM: COMPOSITION II
PRACTICUM: CONCERTO/ORCH LIT I
PRACTICUM: CONCERTO/ORCH LIT I
PRACTICUM: DICTION II
PRACTICUM: DICTION I
PRACTICUM: JAZZ EAR-TRAINING
PRACTICUM: JAZZ EAR-TRAINING I
PRACTICUM: JAZZ IMPROVISATION I
PRACTICUM: JAZZ IMPROVISATION I
PRACTICUM: LITERATURE I
PRACTICUM: LITERATURE I
PRACTICUM: LITERATURE II
PRACTICUM: MISCELLANEOUS
PRACTICUM: MISCELLANEOUS
PRACTICUM: MISCELLANEOUS JAZZ I
PRACTICUM: MISCELLANEOUS JAZZ II
PRACTICUM: PEDAGOGY I
PRACTICUM: PEDAGOGY I
PRACTICUM: PEDAGOGY II
PRACTICUM:20TH C PERF TECH
PRACTICUM:20TH C PERF TECH
PRACTICUM:20TH C PERF TECH
PRACTICUM:COMPOSITION
PRACTICUM:DICTION
PRACTICUM:DICTION I
PRACTICUM:JAZZ-EAR TRAINING
PRACTICUM:JAZZ-EAR TRAINING II
PRACTICUM:MISC JAZZ PRACT
PRACTICUM:MISC JAZZ PRACT
PRACTICUM:MISCELLANEOUS
PRACTICUM:MISCELLANEOUS
PRACTICUM:MISCELLANEOUS
PRACTICUM:MISCELLENEOUS JAZZ I
PRACTICUM:PEDAGOGY
PRACTICUM;20TH C PERF TECH
PRE-CHURCH MUSIC
PRIMARY VIOLIN
PRIMARY VIOLIN
PRIMARY VIOLIN
PRIMARY VIOLIN
PRIVATE PIANO
PRIVATE VOICE
PRIVATE VOICE
PROBLEMS
PROF APP INST 1
PROF APP INST 2
PROF APP INST2
PROJECT
PROJECT
PROJECT
PUBL SCHL MUS
RECITAL
RECITAL
RECITAL
RECITAL
RECITAL
RECITAL
RECITAL
RECITAL
RECORDER
RECORDING TECHNOLOGY
RESEARCH PROJECT
RESTRUCT+SCHL REFORM
RHYTHM, SINGING
RICK KERBER TRIBUTE
ROMANTIC ERA
RP
RP
RP
RP:
RP:
RP:ADV ORCHES
RP:MAHLER ORC
RUD OF MUS
SAXOPHONE I
SAXOPHONE II
SEC PIANO MU MJR III
SEC PIANO MUS MAJOR
SEC PIANO MUS MAJOR
SEC PIANO MUS MJR I
SEC PIANO MUS MJR II
SECOND YR THEORY I
SECOND YR THEORY II
SECOND YR VOCAL II
SECONDARY CLASSROOM CHORAL/PED
SECONDARY PIANO
SECONDARY VIOLIN
SECONDARY VOICE
SECONDARY VOICE
SECONDARY VOICE
SEMINAR
SHENANDOAH CHORUS
SHORT COURSE IN THEORY
SHORT COURSE IN THEORY
SIGHT SINGING
SIGHTSINGING III
SIGHTSINGING IV
SINGERS I
SINGERS II
SKILLS
SKILLS
SMALL INSTR ENSEMBLE
SOLFEGE
SOLFEGE II
SOLO PERFORMANCE I
SOUND, STEREO EQUIP
SPEC METH IN MUSIC
SPEC PROJ MUSIC
SS EAR TRAINING
ST
ST:
ST:
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ST:
ST:
ST:
ST:INTRO TO JAZZ RECORDING & TECH
STRING CLASS
STRING CLASS 2
STRINGS I
SURVEY MUSIC
SURVEY MUSIC LIT
SWING SINGERS 1
SWING SINGERS 2
SYMPHONIC BAND
TCHG ADOLSCNTS
TCHG CHILDREN
TCHG GEN MUSIC
TCHG MUS ADOL LAB
TEACH MUS SEC
TEACH MUS TO ADOLESC
TEACH MUSIC E
TEACH MUSIC TO CHILD
THE ART OF MUSIC
THE MUSIC SCENE
THE NEW AGE
THE STUFF OF MUSIC
THEO CONSTR MUS I
THEO CONSTRS MUS 2
THEO:HARMNCAN
THEOR CONSTRCTS
THEORY I
THEORY I/MUSICIAN I
THEORY II
THEORY III
THEORY SKILLS I
THEORY SKILLS II
THEORY/MUSICIAN III
THRY II/MUSICIAN II
TRADITIONAL
TRADITIONAL PRACT
TRADITNL PRACTICE
TRANSCENDENTAL CINEMA
TROMBONE
TRUMPET
TWO PIANO ENS
UNDERSTAND MUSIC
UNIV CHORALE
UNIV SINGERS
UNIVERSITY BAND
UNIVERSITY CHOIR
UPPER STRINGS
VIOLIN
VIOLIN CLASS 1
VIOLIN CLASS 2
VIOLIN, VIOLA
VOCAL COACHING
VOCAL ENSEMBLE
VOICE
VOICE
VOICE
VOICE
VOICE
VOICE 2
VOICE 3
VOICE CLASS
VOICE CLASS
VOICE CLASS
VOICE CLASS 1
VOICE CONCENTRATION
VOICE FOR MUSIC ED
VOICE LESSON 1,2,3
VOICE MAJOR
VOICE MAJOR 1
VOICE MAJOR 1,2,3,4
VOICE MAJOR II
VOICE MAJOR III
VOICE MAJOR IV
VOICE MINOR
VOICE MINOR
VOICE MINOR 1
VOICE MINOR 2
VOICE MINOR III
VOICE MINOR IV
WEST ART MUSIC
WESTERN MUSIC TO 1750
WESTERN WORLD
WI:CLASSICAL & ROMANTIC MUSIC
WIND ENSEMBLE
WIND ENSEMBLE
WIND ENSEMBLE
WIND ENSEMBLE
WIND ENSEMBLE
WIND ENSEMBLE
WIND ENSEMBLE
WIND SYMPHONY
WOMEN AND MUSIC
WOMEN'S CHAIR
WOMEN'S CHORALE
WOMEN'S CHORUS
WOMEN'S CHORUS
WOMEN'S CHORUS
WOMEN'S CHORUS
WOMEN'S CHORUS 2
WOODWIND
WOODWIND CLASS
WOODWIND CLASS II
WOODWIND ENSEMBLE
WOODWIND STUDY
WOODWIND STUDY
WOODWINDS CLASS
WORLD MUSIC
WORLD OF OPER
WORLD OF OPERA
WRITTEN THEORY I
WRITTEN THEORY I
WRITTEN THEORY II
WRITTEN THEORY III